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BUENOS AIRES — Ventana Sur hosted two of the country’s leading screenwriters to relay the benefits of utilizing a writers’ room while conceptualizing fiction projects, delivered to a packed auditorium on Tuesday afternoon as part of the Fiction Factory series held at the UCA Campus in Puerto Madero.
Director Daniel Burman, known for films such as “Lost Embrace” and series “Victoria Small,” for VIS and Mediapro, sat alongside Sebastián Borensztein, director of “Chinese Take-Away,” starring Ricardo Darin, and co-director of HBO Latin America’s “The Bronze Garden,” produced with Pol-ka. Both used their immense scriptwriting experience to illustrate the concept of writers’ rooms before fielding a battery of questions from an enthusiastic audience.
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“There’s been a change, a double change in the habits of consumers. We can choose when we want to watch something. With a click we have it in our hands. This raises the bar when developing new projects and leads to a higher level of professionalism,” Borensztein said.
The two, working on a project together for a well-known platform, went on to discuss the importance of acknowledging different points of view while perfecting a script, noting that large Hollywood productions have been using this practice to their advantage for some time.
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“The project is very ambitious, and we’ve formed a writers’ room with Sebastian, added other writers. Basically, for me, it’s an extraordinary learning experience. I spent many years making films and being intoxicated with my own, unique, gaze. This exercise reduced it. I arrive early in the morning and, to hear the view of someone else, it’s ****. To hear from another person, with an honest opinion, it’s like a game. It’s not that it’s better or worse. It’s a huge transition,” said Burman.
Borensztein agreed, “Integrating one’s point of view with the view of someone else is a question of ego,...
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