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If adding Paul Rudd to any film or TV project makes that project better — and I think we can all agree it does — Netflix doubles down on that notion with its new series Living With Yourself, debuting next Friday, Oct. 18 on the streamer. (I’ve seen all eight episodes.) The immensely likable Rudd puts his casual charisma to great use here in a boldly surreal, Charlie Kaufman-esque sci-fi comedy, and though it runs out of narrative gas in later episodes, the unapologetically weird concept and Rudd’s appeal make it worth sticking around to see how it all turns out.
Rudd is perfectly cast as Miles, a sad-sack corporate lump who gets a tip from a newly rejuvenated coworker: a mysterious “spa” that turned his life around. Desperate for a change, Miles takes the cash he and his wife were saving for fertility treatment and hands it over to the sterile, dystopian spa, which promises to rebuild his DNA “better than ever.” But after a mishap amusingly scored to Enya’s syrupy New Age staple “Orinoco Flow,” Miles wakes up buried in a shallow grave out in the woods, wrapped up in cellophane. He hobbles home to find another man in his bed — another him, in fact!
Spa - Miles - Version - Memories - Body
Yes, the spa cloned Miles, making a better version of him and implanting it with all of his memories. (The old body is usually dissolved. They do offer him a discount for the inconvenience, though.) It’s a rich set-up full of existential angst that serves as a wicked jab at self-improvement culture: If you had to hang out with the best version of yourself, would you even like them? Always beaming with a goofy smile, New Miles is reinvigorated at work and sees his wife with freshly appreciative eyes… and Old Miles resents him...
(Excerpt) Read more at: TVLine
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