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Motion smoothing is a disease, but we may have just found the curse.
Last September, filmmakers like Christopher Nolan and Paul Thomas Anderson met with members of The UHD Alliance, an organization comprised in part by major film studios and consumer electronics manufacturers, to seek a way for consumers to be able to watch movies on home television sets without the scourge of motion smoothing and other awful settings ruining the picture quality.
Year - Work - Solution - Filmmaker - Mode
After nearly a year of work, a solution has been reached: Filmmaker Mode, a new TV viewing mode which will disable all post-processing settings so the movie or show is displayed as the filmmaker intended. This has the support of directors like James Cameron, Rian Johnson, Ava DuVernay, M. Night Shyamalan, Reed Morano, and many more. Learn all about Filmmaker Mode below.
I attended a panel presentation this afternoon where leaders of the UHD Alliance unveiled the new mode, which disables motion smoothing and preserves the intended aspect ratio, colors, and frame rates. The mode will be easily accessible two primary ways: by pressing a single button on the remote, or if the proper metadata is in the bitstream, the TVs may automatically switch the display without you even needing to press anything at all.
Video - Testimonials - Filmmakers - Hollywood
Check out this launch video featuring testimonials from some of the biggest filmmakers in Hollywood:
For the technical specification nerds among you, this mode will apply to both SDR and HDR content, feature a White Point of D65, will maintain source content frame rate and aspect ratio, and turn off motion interpolation, sharpening, TV noise reduction, and other image “enhancement” processing.
Johnson - Presentation - Today - Admiration - Home
Rian Johnson attended the unveiling presentation today, and after expressing admiration at how far home entertainment technology has come over the past few decades, he turned his attention to the scourge of filmmakers everywhere: motion smoothing.
(Excerpt) Read more at: /Film
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