The 7 Best Movies New to Netflix in July 2019, from ‘Taxi Driver’ to ‘Inglourious ****’

IndieWire | 7/1/2019 | Staff
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Martin Scorsese may be one of the world’s most dedicated evangelists about film preservation and the theatrical experience, so it’s fascinating to find that the legendary auteur only seems to be getting deeper into the Netflix business. Or maybe it would be more accurate to say that Netflix is doing its best to stay in the Martin Scorsese business. Whatever the case, the filmmaker and the streamer forged a partnership with the release of last month’s “Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese,” and the upcoming “The Irishman” — a mega-budget crime epic that might just be finished by the end of the year — is perhaps the most anticipated movie of the fall.

And now, just to keep the wheels greased in the meantime, Netflix has dug into the archives and secured the streaming rights to four early Scorsese masterpieces, including some (“Who’s that Knocking at my Door” and “Alice Doesn’t Live Here Anymore”) that have not always been readily available to watch. These movies — rare coups for Netflix’s ridiculously small lineup of classic films — lead a random and somewhat patriotic slate of titles that are new to the streaming platform this July.

Standouts - Anton - Corbijn - Road - House

Other standouts include “The American” (directed by Anton Corbijn), “Road House” (definitely not directed by Anton Corbijn), and Quentin Tarantino’s rousing “Inglourious ****,” which arrives just in time for the big screen release of “Once Upon a Time in Hollywood” at the end of the month.

Here are the seven best movies new to Netflix this July.

Cloverfield - JJ - Abrams - Hollywood - Takeover

“Cloverfield” arrived rather early into J.J. Abrams’ Hollywood takeover, but none of his other projects — either before or since — have so perfectly embodied his strengths as a showman. Beginning with a surprise trailer before “Transformers,” Abrams’ greatest mystery box hatched a monster so compelling that we’re...
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