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Nobody throws a 3 a.m. weeknight party like Beyoncé, who thrilled a pretty substantial portion of the streaming Western world with the Netflix premiere of “Homecoming: A Film by Beyoncé” very early Wednesday morning. Bosses and teachers might actually have been shot-term beneficiaries of this sleep-depriver of a premiere: If you didn’t show up at school or work feeling buzzed enough to run the world — girl, woman or man — you must’ve dozed off holding the remote.
There surely hasn’t been this big a national No-Doze night since last Black Friday, only the occasion here was Black Wednesday. Beyoncé hasn’t exactly made it a secret that her 2018 Coachella shows— and now the streaming film that documents them — were designed to bring a specifically African American feel and experience to the world, basing the whole show in her love for the culture of historically black colleges and universities. For the part of the audience that doesn’t require an explainer on drumlines, bugaboos or black sorority signifiers, the Coachella shows were moving enough to be tear-jerkers as much as dazzler-dazzlers. Anyone not quite so clued in to every racial or cultural thing Beyoncé was elevating could still feel floored by the righteousness of it as pure spectacle: What’s documented here is surely the first concert in history you could imagine Cecil B. DeMille and W.E.B. Du Bois being equally proud of.
Broadway - Review - Adam - Driver - Keri
Broadway Review: Adam Driver, Keri Russell in 'Burn This'
As I was watching this go down live in Indio last April, I had two immediate thoughts: One was that this was one of the greatest entertainment experiences I’ve ever witnessed. The other was that I really didn’t want to think about about the insane level of work, discipline, control-freakiness and probably torture that went into making something this massive this seamless....
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You can never use the word unexpected when it comes to abuse of power by the government.