Roger Daltrey’s New Autobiography Explains How The Punk Became the Godfather

Ed Driscoll | 11/7/2018 | Ed Driscoll
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Roger Daltrey’s new autobiography, Thanks a Lot Mr. Kibblewhite (we’ll explain the title in a moment), is a fun read, but if you’re as diehard a fan of The Who as I am, you can’t help but notice it contains a few missed opportunities. Daltrey is the lead singer for one of the most influential rock bands of the 1960s through the early 1980s, yet fails to comment on some of his group’s most important moments.

But he does discuss some of the many squabbles that involved him, his band mates, and his managers. As Dave Marsh wrote in Before I Get Old, his excellent 1983 history of the band, completed immediately after their “first” farewell tour:

Music - World - 1960s - Neighborhood - Who

If the music world [of the 1960s] could be compared to a neighborhood, then the Who were the one family in every block who simply cannot keep their squabbles private, who make a mess that dangles out of the windows and into the yard and who unashamedly tangle with one another publicly in ways that mortify the neighbors. The Beatles might have argued among themselves as much as the Who, but they were discreet. The Stones were scruffier by far, but their very essence was never losing their cool. The Who battled it out right in public.

Daltrey punctuated a few of those arguments with his fists – most notoriously, an October 1973 argument with The Who’s songwriter, guitarist, and resident genius Pete Townshend, while shooting a promotional film clip during a rehearsal for the British leg of the world tour to promote their then-new album...
(Excerpt) Read more at: Ed Driscoll
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