Click For Photo: https://pmcvariety.files.wordpress.com/2019/10/maelle-7024.jpg?w=700&h=393&crop=1
LYON, France — As the Lumière Institute’s head programmer since 2001, Maelle Arnaud helped launched the Lumière Festival in 2009 and has watched it grow in international esteem over the decade that followed.
This year, the festival ran 190 films across 424 screenings in theaters all over town. The festival will come to a close this coming Sunday, but not before a marathon screening of “The Godfather” on Saturday evening, and a two day cine-concert of Abel Gance’s “La Roue,” backed up by the National Orchestra of Lyon.
Variety - Arnaud - Thoughts - Year - Edition
Variety asked sat down with Arnaud, and asked her thoughts on this year’s edition.
This is the festival’s eleventh edition. How has it grown over its first decade?
Cinephiles - People - Lyon - Institute - Year
When we look at our public, we see them becoming bigger cinephiles. Obviously there are people in Lyon who frequent the Institute throughout the year, but there are many just drawn in by the event, and that’s important too. Those people have been returning for ten years, and I think they’re beginning to develop a really strong film culture. I think it’s great that we can offer that to public.
We only have one screening room at the Institute, whereas the festival spreads out to many different theaters and cover a lot more ground. We can adapt our programming to the different rooms, and take chances, knowing that the public has put their confidence in us.
Things - Year
What things are you most proud of this year?
There are two. First is the André Cayatte retrospective. Since the very beginning we’ve wanted to spotlight strong French films, and Cayatte [fits that bill]. His films did very well when they first came out, but have fallen off the radar since. He’s not so well known anymore, so it seemed necessary for us to revisit his work and to his importance. I think we accomplished...
Wake Up To Breaking News!